Club. Genevieve: Have you ever had anything you would die for? Emphasis on the was.)Lucia also functions as a sort of counterpoint to Nina, who. I have a hard time imagining Nina willingly dying for anything. A few weeks ago, after . Even if she could say, ? This explains her guilty demeanor since her reappearance, but also perhaps her softened attitude toward Elizabeth, whom she tells, . But this is all thematic underpinning of an episode that drops a lot of historical significance on us, and seems to confirm that The Americans is pointing its narrative engine this season toward Nicaragua and the seeds of the Iran- Contra affair. Ideologies and loyalties are shifting every which way in season two, and the introduction of the Contra War serves to muddy the boundaries even further. The Center is asking Philip and Elizabeth to put their lives on the line, assassinate the Contra field commanders who are training in the U. S., and expose the camps, because ? Unlike last week, Elizabeth and Philip spend most of this episode together, working toward the same goals, and because of that, I found . It also has a heavy focus on the series. Season two has increasingly been about Philip and Elizabeth figuring out how they work together as an actual couple in addition to as a team of spies, and pushing them toward a reality in which they really are all the other one has. Todd, what do you think could possibly have been going through Elizabeth? Todd: Because, in the words of the eternal playground taunt, she loooooooooooves him. Apologies. That is a far too disturbing way to talk about what! Falling in love may turn out to be the worst possible thing that ever could have happened to Philip and Elizabeth. Intellectually, Elizabeth knows that Philip has to do his job, and to do that, he has to be Clark for Martha and become someone for this other woman that he isn. But emotions are rarely ruled by the intellect, and in the back of her head is a jealousy that she can. When she tells Lucia, in so many words, that she can. But what happens between Lucia and Carl is what happens to all couples who get too invested in emotional ties and forget about (or aren. Carl dies, Lucia telling him to think of what he. And then when things go bad, it. There are going to be plenty of people who read this scene as a rape, and while I disagree, I can easily see where they. In that moment, Elizabeth thinks she wants what she imagines Clark giving Martha (and what we see is very different from the things we. Elizabeth uses that story as a kind of performance aid when trying to convince Brad to get Larrick. The Americans: “Behind The Red Door” Bad ideas dancing around in there. Director: Matia Karrell Writers: Matia Karrell, C.W. Cressler Stars: Kyra Sedgwick, Kiefer Sutherland, Stockard Channing. Behind The Red Door LyricsDoes your consent matter when you abruptly realize somewhere in the middle that what you thought you wanted no longer is? And what about when it. I think Philip and Elizabeth are strong enough to overcome this particular moment; I. The way that Sieling frames him so that our eye is always drawn to him in long shots only emphasizes the way that he feels incredibly wrong seated at this table, somehow, in that rumpled suit, having to listen to his wife and kid talk about stuff he couldn. Even when he tries to get Gaad on board, things go terribly. But this episode is filled with people stuck in places they can. Physical and emotional brutality are part and parcel of this world, and that only results in the characters becoming ever more isolated and ever more trapped in that isolation. I knew the good times between Philip and Elizabeth could never last; I didn! What did you think of some of the episode? You can see Elizabeth working out how exactly to play this situation, bouncing from approach to approach: passive- aggression toward Martha, flirtation, taunting, and finally something approaching honesty. But I was struck more by an even earlier scene, where Philip and Elizabeth lie in their bed at home talking after having sex. Not only is this when Elizabeth brings up the Martha thing for the first time, with forced offhandedness. Directed by Matia Karrell. With Kyra Sedgwick, Kiefer Sutherland, Stockard Channing, Chuck Shamata. A dying man must reunite with his sister to face their family's violent past and find peace in their lives. Season 2 Episode 6: Directed by: Charlotte Sieling: Written by: Melissa James Gibson: Featured music. Behind the Red Door Vacation & Short-Term Rentals. Our newly renovated vacation and short-term rental spaces feature spacious and newly renovated private apartment-style suites, each complete with a separate entry, full. Our vacation and short-term rentals are conveniently located in the heart of historic Harlem, steps from mass transit, some of the city’s best restaurants, entertainment and cultural attractions. Come see what’s Behind the. Behind The Red Door BlogOnly in this scene, she. Elizabeth is exposing herself to Philip here in so many ways, not even thinking about how she could get hurt by doing so, because she knows he wouldn. Tergesen is a fun presence on a show like this, where everybody can be awfully muted. That mustache is the best. While that color has obvious links to Soviet imagery, its symbolism in Asian traditions is evoked a couple of times here (and in the episode title): In the new red door Sandra has gotten for the Beeman home, which Matthew notes the Chinese consider good luck, and in the red walls of the Gaad residence, which also includes a Buddhist shrine that appears to belong to Gaad.
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